YAMA
Antoine d'Agata jumonji That was in the spring

That was in the spring of 1996

from which I could do my choice

Each structure is like a dark omen

I am able to see from within this rich culture that tells many stories of youth and fame that expand beyond the small world of skateboarding and speak of human commonalities

The result is a collection that feels more like an intimate conversation than a traditional interview

YAMA<br />Antoine d'Agata jumonji That was in the springIn 2011, Antoine d'Agata is in Cambodia, exploring and documenting further the space between photography and his own experience. In the closed space of a windowless room with wooden walls painted red, he engages with L, an ice addict prostitute who will die soon. Until the end, she uses pleasure as a way to impose her existence to a world that denies her every other right. In the wicked circles of social violence, where desire cannot be separated from