The Art of Ancient India V.S. Ramanan Anutpattikadharmaksantilabdhasammukhavyakarana 188 Bodhisattvas Having Received

Anutpattikadharmaksantilabdhasammukhavyakarana 188 Bodhisattvas Having Received the Prediction 189 Prediction Conferred on the Daughters of the Gods 191 Fallacious Departure of Mara 192 Respective Value of Offerings of the Buddha 193 Exploits of Maragocaranupalipta in the Heroic Progress 196 Exploits of the Buddha in the Heroic Progress 197 Extension of the Heroic Progress to Other World Systems 198 Faith in the Heoric Progress 200 The Field of Merit 204 The Truly Learned 208 Prediction to Vimalacandragarbha 211 Provisional Nature of Pratyekabodhi 212 Manjusri's Fictious Nirvana 214 Exploits of the Bodhisattvas in the Heroic Progress 216 Superiority of the Offender over the Holy One 222 Two Hundred Discouraged Bodhisattvas Obtain the Ten Powers 223 Why and How to Practise the Heroic Progress 225 Maitreya in the Heroic Progress 227 Manjusri Identical to the Buddha Nagavamsagra 229 Appearance of the Buddhas of the Ten Regions 232 Protection Assured to the Heroic Progress 233 Identity of the Buddhas Sakyamuni and Vairocana 235 The Wonderful Effects of the Heroic Progress 238   1

A book on the model suggested by Fergusson has indeed been a great desideratum

(17) Garuda

These verses were called the Vedas

" The younger prince said

The Art of Ancient India V.S. Ramanan Anutpattikadharmaksantilabdhasammukhavyakarana 188 Bodhisattvas Having ReceivedTo scholars in the field, the need for an up to date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of Indias centuries of splendor has been lacking. The Art of Ancient India is the result of the authors aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: Not since Coomaraswamys History of